A Level English Language and Literature: introducing anthology version 3
26 August 2021
Isobel Woodger, OCR English Subject Advisor
This blog was originally published in June 2021. It has since been updated to reflect that copies of the anthology are available.
In this blog I’m going to walk you through the changes made to the anthology for component 1 of our AS and A Level English Language and Literature for first teaching in September 2021. I’m hoping to give a bit of insight into what’s great about these new texts and suggest some initial teaching approaches.
What’s different?
As explained in our last subject information update, we initially redacted the Jamie Oliver text in the autumn term and announced a refreshed version 3 for AS and A Level first teaching in September 2021. For version 3, we have replaced five texts from the last refreshed anthology.
We consulted with our assessors and teachers in a customer survey back in the autumn term, as well as working with our principal examiners and colleagues at the English and Media Centre (EMC). We tried to maintain the previous balance of written and spoken extracts (especially with key text types like graphic memoir), while introducing new ones like daytime TV interview, creative non-fiction and radio interview.
The five extracts being replaced are:
Texts in version 2
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Texts in version 3
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Jamie Oliver: TV Show – Speaking to Camera, 2001 (redacted from 2.1)
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This Morning: Nadiya Hussain Talks Food, Family and Fame
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Marjane Satrapi: Persepolis - ‘Kim Wilde’
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Malaka Gharib: I Was Their American Dream – ‘Food’, 2019
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Russell Brand: Evidence to a Parliamentary Select Committee, 2012
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David Frost: The Frost Tapes – Frost/Biden Bonus Interview, 1987
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Craig Brown, Obama Buys Ice-cream, 2009
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Maggie O'Farrell: extract from I am, I am, I am, 2017
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Female Police Officer: Working Story, 2016
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This American Life: Three Miles, 2015
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AS Level first assessment of these texts will be June 2022; A Level first assessment of these texts will be in June 2023.
There’s a brief overview of each new extract below, along with a couple of initial teaching ideas for familiarising and contextualising students with the content.
This Morning: Nadiya Hussain Talks Food, Family and Fame, 2019
In replacing the Jamie Oliver text, we were keen to focus on another food personality familiar to students. We also wanted to feature the daytime talk-show interview, a genre we felt would help expand student ideas of how interviews can function. Hussain’s discussion with Schofield and Willoughby is natural, engaging and open, touching on a range of topics from food and promoting her new book, to family life, health and well-being. The extract is taken from 00m00s to 03m30s from the YouTube link above.
Initial approaches:
- Apply some conversation analysis, looking particularly at what differences there might be leading up to longer responses from Hussain.
- Look for features that indicate that there is a promotional element to this interview. What paralinguistic features from the video help to enhance these promotional elements?
- Read this transcript alongside this recent written interview with Hussain. What similarities in Hussain’s responses can you find with the This Morning interview? Where does the mode of interview seem to make a difference?
Malaka Gharib: I Was Their American Dream
Gharib’s loving and moving examination of growing up as a first generation Filipino-Egyptian American felt like a great fit for the anthology. Using only the colours of the American flag where possible, Gharib, a journalist at National Public Radio (NPR), explores ideas about belonging, family and identity. In the extract we’ve chosen from chapter 2, Gharib details her family structure, cultural differences in food and expectation, as well as parental sacrifice.
Initial approaches:
- Consider what this extract is saying about the following themes: family, home, belonging and expectations. How do Gharib’s images convey these ideas, even without words?
- Listen to this interview with Gharib on The Immigrantly Podcast and make a short transcript of a section of your choosing. How does this shed light on Gharib’s context?
- Read this article about the rise of graphic novels from 2008 as the start of some research on graphic fiction and non-fiction. How has understanding of this mode and genre changed over time?
David Frost: The Frost Tapes – Frost/Biden Bonus Interview
This interview with President Joe Biden in 1987, during his first campaign to become the Democratic presidential nominee running against Republican president Ronald Reagan, offers an opportunity to explore conversational structure, spontaneous speech and rhetorical devices. In-depth political interviews allow the subject to expand and develop their responses. Biden’s level of fluency and cohesion is greater than we might expect in spontaneous speech and offers a source that students can really sink their teeth into. Our extract is taken from 36m 08s to 42m 00s from the BBC Sounds link above.
Initial approaches:
- Consider how Biden develops themes of social responsibility, community and the American Dream in this interview. Where else have students encountered these ideas in their school experience? Why are they powerful for a politician to use on campaign?
- Read this teaching resource on the American Dream, referencing a New York Times opinion piece from 2019. First, try discussing the questions asked in the piece, before examining how it uses language to instruct and suggest to its reader.
- Compare Biden’s responses with the referenced Neil Kinnock speech to the Welsh Labour Party Conference in 1987 (see video version, from 7m 14s) What ideas about nationhood and community do they share? Where do they differ? How has Biden paraphrased Kinnock? Research: how did this impact Biden’s candidacy?
Maggie O’Farrell: ‘Cranium’ extract from ‘I am I am I am’
We wanted to include some creative non-fiction in version 3, especially as memoir and personal essay writing is something that students are often choosing to work with in component 4. We felt this extract from O’Farrell’s I am, I am, I am: Seventeen Brushes with Death offers a unique example of the ways in which language can be used in non-fiction and in memoir specifically. In Cranium, O’Farrell uses a third person perspective to explore a close call with a passing truck.
Initial approaches:
- Read the extract and consider the role of listing in O’Farrell’s writing style. What does her use of lists achieve? What word classes does she list and is their effect different?
- Listen to this episode of Desert Island Discs with O’Farrell and consider how this mode encourages similar or different personal reflections
- Read this review of I am, I am, I am and consider what features make it a review rather than simply an article about the memoir
This American Life: Three Miles
We also wanted to ensure that we featured a spoken piece featuring an ordinary person. This radio interview explores the impact of economic disparity in education through the lens of a group of students from a public (state) school in the Bronx, New York who visit an elite private school, Fieldston, only three miles away. In this extract, producer Chana Joffe-Walt interviews Melanie, a student whose experience of the Fieldston visit revealed a disconnect. You can listen to the episode here (with transcript). Our extract starts in Act One, 20m 31s - 25m 53s.
Initial approaches:
- In this extract, how does Joffe-Walt use her contextualising sections in the studio to paint a picture of Melanie? How do they reinforce the journalistic element of the extract?
- Melanie raises ideas about expectation vs reality, class disparity and racial inequality. How does Melanie convey disappointment and frustration? How does her use of lexis and phonology emphasise or subvert this?
- Read this BBC News article about research into economic disparity in schools in the UK. Consider what connections you can make between the research outcomes and Melanie’s personal experiences, considering their different contexts.
When can I order new copies for September 2021?
A digital version is available to download from Interchange and is linked in the Planning and teaching > Anthology of texts section of our qualification page.
Physical copies are available to order using our order form. (Please note that the order form is located a little further down the linked webpage.)
We really hope that these new extracts spark interest in the classroom and generate meaningful discussion.
Stay connected
If you have any other questions you can submit your comments below, or email us at English@ocr.org.uk. You can also sign up to our subject updates or follow us on Twitter @OCR_English.
About the author
Isobel Woodger, OCR English Subject Advisor
Isobel joined OCR as a member of the English subject team, with particular responsibility for A and AS Level English Literature and A and AS Level English Language and Literature (EMC).
She previously worked as a classroom teacher in a co-educational state secondary school, with three years as second-in-charge in English with responsibility for key stage 5. In addition to teaching all age groups from key stage 3 to 5, Isobel worked with the University of Cambridge’s Faculty of Education as a mentor to PGCE trainees. Prior to this, she studied for an MA in film, television and screen media with Birkbeck College, University of London while working as a learning support assistant at a large state comprehensive school.